A Freedom Bought with Blood (Large Print)
African American War Literature from the Civil War to World War II
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Our Price: US$67.99
Volume(s): 1
Format Details: 16pt, Verdana
ISBN(s): 9781458735102
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Editorial Reviews
· “Initiates an important conversation about African American war literature, a topic that has not been discussed in a substantial and sustained way.” —MELUS
· “James walks us through a body of literature never previously gathered under a similar rubric…[She] map[s] out a genuinely new cognitive field that other scholars can now contest and hone.” —Journal of American History
· “The text is both easily accessible and cutting-edge in its scholarship and will be of interest to scholars in black Atlantic/African diaspora studies, African American studies, women’s studies, sociology, queer studies, and literature.” —Michelle Wright, author of Becoming Black: Creating Identity in the African Diaspora
· “A fascinating book.” —James Smethurst, author of The Black Arts Movement: Literary Nationalism in the 1960s and 1970s
About the Book
In the first comprehensive study of African American war literature, Jennifer James analyzes fiction, poetry, autobiography, and histories about the major wars waged before the desegregation of the U.S. military in 1948. Examining literature about the Civil War, the Spanish-American Wars, World War I, and World War II, James introduces a range of rare and understudied texts by writers such as Victor Daly, F. Grant Gilmore, William Gardner Smith, and Susie King Taylor. She argues that works by these as well as canonical writers such as William Wells Brown, Paul Laurence Dunbar, and Gwendolyn Brooks mark a distinctive contribution to African American letters. In establishing African American war literature as a long-standing literary genre in its own right, James also considers the ways in which this writing, centered as it is on moments of national crisis, complicated debates about black identity and African Americans' claims to citizenship. In a provocative assessment, James argues that the very ambivalence over the use of violence as a political instrument defines African American war writing and creates a compelling, contradictory body of literature that defies easy summary.
About the Author
JENNIFER C. JAMES is assistant professor of English and Africana studies at George Washington University.
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